Things to do with a twelve-string guitar, part one

OK, so you’ve got yourself a twelve-string guitar, so you’re obviously willing to suffer for art. That’s a good starting point. But what if you’re actually a crazy masochist and want to go beyond strumming chords in standard tuning?

Here’s a couple of tuning ideas for you.

One, CGDEAD

This is my favourite tuning. In fact, it’s my de-facto standard tuning. My main six-string acoustic is left in this all the time, pretty much, and has been set up specifically to accommodate heavy-gauge strings and a low C. But it sounds great on a twelve-string too. One problem with twelves is that in standard tuning the high G string is prone to snapping, because it’s just a top E, tuned a minor third higher. This tuning gets round that by tuning the G string down to E and extends the overall range of the guitar downwards, by tuning the low E to C.

For a taste of what you can do with this, play this shape: x 0 0 3 2 0, low to high. That’s a G major. Now this shape: 0 0 2 3 3 2. That’s C major. You getting it?

Two, CGCDGC

Now we go lower. This is a less all-purpose tuning than the previous one. There are things that you can’t sensibly play in this tuning and it really only makes sense in C, A minor and maybe F. But you can get very droning and modal in this tuning if the mood takes you – I’ve used it to play Lady Margaret with my folk-rock band Carterhaugh: six minutes or so without any chord changes can be quite daunting, but this tuning lends itself very well to noodly modal explorations around a theme.

A chord shape or two? All right. Try this (C): 0 0 0 2 0 0. Or this less droney C major shape: 0 0 4 5 5 4. Here’s an A minor: x 2 0 2 0 0. Here’s an Fadd9: 5 5 0 3 0 0. And slide that up two frets for a G: 7 7 0 5 0 0.

More tuning madness tomorrow!

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Be bold with your tunings. You’ve nothing to lose but the skin on your fingers and hours you’ll never get back.

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