What You Won’t Do for Love, then. I’ve written about it before, as long-time readers may know. A perusal of the search terms that have led some folks here in the last couple of months suggests that a lot of people know the song, but don’t know who sang it, Boz Scaggs sometimes being assumed to be the artist responsible. I can understand why: apart from the obvious stylistic similarity, Caldwell even sounds like Boz vocally on some of his songs (My Flame, for instance). But as far as I know, Scaggs never has recorded What You Won’t Do for Love. It’d be like Neil Young recording Horse With No Name, or Dylan doing Eve of Destruction (except What You Won’t Do for Love is perfect, glorious and unassailable, while Eve of Destruction is miserable, wretched and laughable).
Loads of artists have taken it on, though. So here’s a run-through of some of the more notable versions. I may do a second post with more of these. I’m including full covers only, by the way. No samples.
1) Jessie Ware
The most recent take I know of is a Jessie Ware bonus track. A floaty version. I miss the bedrock of a groove on this version and the chirping synths, blipping and beeping all over the stereo field, are distracting. Her inclusion of a very South London delivery of ‘can’t let go’ (with a long ‘a’) in the middle of a vocal on which she otherwise affects an American accent is likewise apt to take me out of the song. There was an idea worth pursuing in this arrangement, she’s not a bad singer, and a less chill-out-in-the-juice-bar remix might improve things, but a thumbs-down from me for this.
2) Alexander O’Neal
This should have been a no-brainer slam dunk of a record. A great soul song and a great soul voice. But unfortunately this song isn’t really suited to the production its given here, which takes a weird 1988-in-2008 kind of approach. Alex slinks over the top of it, but the track is leaden and uninspiring.
3) Natalie Cole and Peabo Bryson
The right kind of backing track on this one, but the groove is a little on the slow side, making the song drag unnecessarily, and the arrangement is a touch too Jazz FM. Worthy, tasteful, very well sung (the harmonies are great) but a little dull.
4) Michael Bolton
Of course Bolton’s had a go at it! Singing, as always, like he’s in a rare form of dire physical pain that prevents clear enunciation, this is still restrained by his standards: the drums sound like they were recorded in a room rather than a cavern and the guitar solo isn’t too garish. Nevertheless, for this most subtle and understatedly adult of love songs, Bolton’s approach is ham-handed and free of nuance
However, if you’re of the mind, Timeless: The Classics Vol. 2 also contains his takes on My Girl, Tired of Being Alone, Sexual Healing, Let’s Stay Together, Ain’t No Sunshine, Whiter Shade of Pale and, um, Like a Rolling Stone, by his old buddy and sometime songwriting partner (yes, really) Bob Dylan. Those of you who want to hear Mike deliver his own idiosyncratic brand of casual ultraviolence on unsuspecting pop-music standards now know where to go.
5) Go West
I have rather more fondness for this than it deserves, since it was the first version I heard (back in the mid-nineties) when it was a reasonably big hit in the UK. Listening now after a good few years, it sounds very, very cheap. Brass section from a keyboard, drums from a box, Peter Cox’s vocal sung as if he was tensing his entire body and clenching his jaw too. But it’s endearing in a way Bolton’s version isn’t, possibly because of that very British make-do-and-mend spirit, in comparison to the high-budget glossiness of Bolton’s effort.
So there is no substitute for Caldwell’s original…
His ship’s not sinking, he’s the king of wishful thinking, he’s Peter Cox