John Vanderslice is a recording engineer, producer, singer-songwriter and studio owner. He occupies a space people like me would love to be in: able to follow his own artistic muse (he’s released 10 albums under his own name), while helping others to follow theirs in his capacity as a producer and recordist.
His own albums display all the best qualities of his work as a writer and his work as a producer and engineer. His “sloppy hi-fi” approach to recording (that is, using the best, most hi-fi equipment he can find and afford, then using it to record parts in just a few passes, rather than worrying it to death with endless retakes) is, he theorises, that of the old school: the approach that the Beatles, Kinks and Stones as well as legions of jazz players before and since were able to take in their very different eras.
It’s not necessarily evident, though, from Pixel Revolt‘s Trance Manual that this is how he works, given how layered the recording is, with its twinkling, delay-echoed synths and overdubbed Mellotron. Halfway through the track, out of nowhere, pizzicato strings make an entrance, as if sundry members of the Penguin Café Orchestra just happened to have wandered into the session and sat in on a whim. It’s a gorgeous arrangement, which the song’s extraordinary text fully deserved.
The scenario is a simple one: prostitute visits embedded war reporter in the Middle East. But the level of detail that Vanderslice includes, the sheer unlikelihood of using words and phrases like “Mujahidin”, “aqua mirabilis”, “bullhorns and sleepy 47s” in a chamber-pop song, is astonishing. That’s before you get to phrases like “Dressed like that, you are a flag of a dangerous nation”. Vanderslice’s lyrics on this song and others, he has disclosed, were edited and added to by John Darnielle of the Mountain Goats (and what an unusual, il migglior fabbro arrangement that is in this day and age), but that takes nothing away from Vanderslice’s achievement here; even if he only wrote 10% of the lyric, that’s still an extraordinary accomplishment given the track’s musical richness.
There were great moments on his records before Trance Manual’s parent album Pixel Revolt, among them the deathless Me & My 424, from The Life and Death of an American Four Tracker and Cellar Door‘s spine-tingling Promising Actress. But Pixel Revolt is the album where Vanderslice’s writing and vocal delivery asecnded to the same level as his recording and arrangement chops. For a few years afterwards, he hardly put a foot wrong.