There’s really only one thing to talk about today. George Martin died yesterday, aged 90.
It’s hard to overstate how important Martin was in the story of The Beatles, and by extension the story of popular music as a whole.
In any label-funded scenario, the producer is ultimately responsible to the record label, not the artist or band. The producer’s job is to get from the artist a product that the label can sell; that’s why they’re called producers. Nevertheless, good producers nurture the artists they work with, teaching them what they know about writing, performing and arranging, or at least facilitating and supporting the artist as they pursue their own growth and development.
No producer ever did a better job than George Martin did with The Beatles. No one did it with more class or grace. He encouraged the band, supported them, gave their songs the benefit of his arranging skills, and assembled a team of incredible audio engineers for them, then allowed them to break every rule in EMI’s book in the quest for great sounds.
The man was a giant of his field, rightly held in awe within the industry, but recognised and respected for his work by the public who, however much they knew about Martin’s role in making those records, recognise that they couldn’t have done it without him.