A couple of years ago I had the good fortune to be among the lucky souls who saw Jon Auer play at the Islington, a gig that is probably among the best half-dozen or so I’ve ever been to. It made me reconnect with his music in a big way, and I’ve spent a lot of time in the last couple of years listening to, not just his music, but power pop-type stuff generally.
As a teenager I was really into the idea of bands that mixed “proper” songwriting (meaning, I guess, Beatles-derived chord changes) and vocal harmonies with loud guitars and prominent drums, and the Posies did that as well as anyone since their illustrious forefathers Big Star (so well that Auer and fellow founding Posie Ken Stringfellow became members of the reconstitued Big Star, though if you’re reading this, you almost certainly know that). But that Jon Auer show got me really excited by the possibilities of that kind of music again, so seeing the Posies when they came through London again was hard to turn down.
The press photos that I’d seen used to promote the tour only showed Auer and Stringfellow, so I was half expecting a duo show. Instead it was Jon and Ken with drummer Frankie Siragusa, an LA-based multi-instrumentalist and producer. No bassist, but lots of parts being triggered by Stringfellow from his keyboards (and possibly pedals – I couldn’t see his feet from where I was).
Auer and Stringfellow seem hugely excited by playing with Siragusa, and sure enough, the dude can drum. He’s a bit of a monster, in fact. Unfortunately the mix privileged his playing over everything else, making it hard to hear the guitars and at times even the vocals (the songs where Siragusa kept time on the hats were OK; the ride cymbal was pain-threshold volume, though), which made it a little tricky to follow all the details of the new songs the guys are playing on the tour.*
Even amid the clang of cymbals, the quality of the new songs – and the evolution they represent for the band – was clear. Auer’s Unlikely Places, built on top of a robotic single-note riff, was an early highlight; single Squirrel vs Snake mixed a ’60s bubblegum melody with clever wordplay, and took on greater force than its studio counterpart; The Plague (for which they were joined by singer Gizelle Smith) welded together several hugely different sections into a seamless whole; and The Sound of Clouds was pensive, near-weightless and utterly lovely. All are in their different ways unlike anything they’ve done before.
The older songs were great, too, even without a bass player. Dream All Day got an early airing, Throwaway and Please Return It (two old favourites of mine, and the former a new favourite for Mel) were paired in the middle of the set, and Burn & Shine was a showcase for Siragusa’s fine drumming. He pretty much aced what must have been a hugely demanding song to be playing nearly 90 minutes into a set that had already thrown him some challenging material.
My favourite on the night, though, was The Glitter Prize, from 2010’s Blood/Candy, another song with Gizelle Smith guesting. The 3-part harmonies were glorious, and sent me scurrying off to iTunes to pick up an album I hadn’t got round to yet. The recorded version is superb, too. Its mid-tempo 4/4 groove puts me somewhat in mind of Fleetwood Mac, as does the mix of male and female harmonies – co-writer Kay Hanley (formerly of Letters to Cleo) also sang on the track. It’s an unusual sound for the Posies, who normally rely purely on the Auer/Stringfellow vocal blend.
I’d seen the Posies from far away at the Reading Festival, and I’d seen Auer close up at the Islington, so yesterday I payed particular attention to what Ken Stringfellow was doing. He’s a quite terrific singer, able to push his voice into screamy rock territory, sing full-throated top-line harmonies à la Graham Nash and dial it down to a delicate, intimate whisper, but his versatility last night on the guitar and keyboards was hugly impressive, too. Which reminds me, I should really dig out his first solo album, Touched – a record I’m rather fond of but haven’t listened to in full for a couple of years.
Quibbles with the sound mix aside, it was a fine show, and it’s great to see Auer and Stringfellow playing with so much enthusiasm after what must have been a horrible year for them**. It’s not an easy task to carry an audience with you for 20-odd songs when most of the crowd have never heard over half of them, but the guys managed it. I’m already enjoying spending time with their new record and looking forward to the next time they’re in London.
Jon Auer and Ken Stringfellow. Never stop, guys.
*The tour is in advance of the release of new album Solid States. They are selling pre-release copies at the merch table though.
**This past year their drummer Darius Minwalla and former bass player Joe Skyward have both passed away.