As much as I love Fleetwood Mac, I’d be the first to admit that they are a living, breathing rock’n’roll soap opera; nothing that they can do to each other would surprise me or any other FM fan. I fully expect Buckingham to rejoin them within the next couple of years.
In the meantime, it’s Buckingham out and Neil Finn in, along with former Tom Petty sideman Mike Campbell. Which tells you all you need to know about how special a talent Lindsey Buckingham is: it takes two people to replace him, and even then you’ve not replaced his production and arrangement talent.
That said, Neil Finn kind of makes sense. Kind of. There are definitely moments in Finn’s discography that have that spooked Fleetwood Mac vibe, that introspective mood of dusk and twilight bordering on the mystical that almost all the writers who have passed through the band have tapped into – the mood you find in Peter Green’s Man of the World and Albatross, in Danny Kirwan’s Dragonfly, in Bob Welch’s Hypnotized, in Buckingham’s I’m So Afraid, and in countless Stevie Nicks songs. Catherine Wheels from Together Alone fits, 2007 reunion single Don’t Stop Now definitely fits. I can imagine it working reasonably well.
But I just don’t think it’ll have to for long.