Last week, while I was on holiday in the US, my iPod Classic (about 12 or 13 years old now) finally gave up the ghost on me. It would no longer charge or recognise that it was plugged in. I tried replacement cables and different USB sockets, all to no avail.
It was the end. But the moment had not been prepared for.
I’ve hung on to an iPod this long as it’s invaluable for carrying around 16 bit/44k mixes of recordings I’m working on (at the moment, that’s an album I’m finishing off with James McKean, an EP Mel and I are recording, and a bunch of random stuff of my own). If I’m working on mixes and test driving them, so to speak, as I travel around, I don’t want to hear them as MP3s – if I could store them at 24 bit, I would. But without a working iPod, I thought I’d try bowing to the inevitable: I’d use Spotify for general listening, and took about 20 mixes that I have on the go, reduced them to 256kbps MP3s and put them on the phone itself.
iPhone storage full.
Not a good start.
At the same time, I wanted to listen to some Go-Betweens records, as I’d just read Robert Forster’s Grant & I: Inside & Outside the Go-Betweens and it’s been a few years since I went through all their stuff. Spotify doesn’t have their first two albums, or the records they made after they reformed, or their US- or UK-market best-of compilations.
Off to eBay, then, for a second-hand iPod Classic, hoping I don’t get ripped off.
This is the problem that streaming boosters don’t seem to recognise. I get the convenience of having one device. I get that if you live in a big town or city, your Wi-Fi and/or 4G (or 5G, or even 3G) connection is going to be more or less constant, and I get that if you listen to contemporary music mainly, you’re always going to find what you want on Spotify.
But if your interests lie elsewhere, you’re reliant on deals being struck to get legacy artists’ catalogues up on Spotify (or Apple Music, or Google Play, or wherever) and kept there. And that’s far from a sure thing. The Go-Betweens are not a marginal group — they were well known enough to get national coverage in the UK, and are even better known in their native Australia – yet most of their albums are not streamable on the biggest online music platform.
As I’d long argued, there is still no truly viable alternative for carrying around a capacious hard drive stuffed to the brim with music if you want to listen to whatever you want, whenever you want. Which is why, even if I didn’t also need a device to store work-in-progress mixes at a half-decent audio quality, an iPhone and a Spotify account still doesn’t cut it, and why I’m the satisfied owner of a 12-year-old reconditioned iPod Classic bought off eBay.