Tag Archives: Countdown to Ecstasy

10 of the best Steely Dan lines

Presented without comment or context, 10 magnificent lines from Steely Dan songs:

Bodacious cowboys such as your friend/Will never be welcome here high in the Custerdome
Gaucho (Gaucho)

Don’t believe I’m taken in by stories I have heard/I just read the Daily News and swear by every word.
Barrytown (Pretzel Logic)

Is there gas in the car?/Yes, there’s gas in the car
Kid Charlemagne (The Royal Scam)

Double helix in the sky tonight/Throw out the hardware/Let’s do it right
Aja (Aja)

I loved you more than I can tell/But now it’s stomping time
My Rival (Gaucho)

Hey Nineteen, that’s ‘Retha Franklin/She don’t remember The Queen of Soul
Hey Nineteen (Gaucho)

Now you swear and kick and beg us that you’re not a gamblin’ man/ Then you find you’re back in Vegas with a handle in your hand
Do It Again (Can’t Buy a Thrill)

Jive Miguel, he’s in from Bogota/Meet me at midnight at Mr Chow’s/Szechuan dumplings after the deal has been done/I’m the one
Glamour Profession (Gaucho)

Agents of the law/Luckless pedestrian
Don’t Take Me Alive (The Royal Scam)

Lonnie swept the playroom and he swallowed up all he found/It was 48 hours till Lonnie came around
The Boston Rag (Countdown to Ecstasy)

Thanks to Nick Elvin for a couple of killer suggestions.

163.Steely_Dan_1993

Can I trouble you to listen to my new EP, Last Swallow?

 

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Holiday Harmonies Part 7: My Old School – Steely Dan

Steely Dan weren’t a harmony group in the Everly Brothers sense. A few tracks on Can’t Buy a Thrill aside, Donald Fagen always sings lead. The other voices are always subservient to the lead, and few songs have sustained two- or three-part harmony sections other than in choruses, though we’re looking today at a song that does. The band members were there for their musical chops rather than their vocals.*

That said, the band’s first line-up had three strong voices in it beside Fagen’s, in drummer Jim Hodder, bassist Walter Becker and kinda-sorta lead singer David Palmer.** Betweem them, those guys are responsible for all the male backing vocals on Can’t Buy a Thrill (including some stratospheric high parts on Dirty Work), so when they bring in (female) session vocalists on Brooklyn (Owes the Charmer Under Me) and Kings, it has a very different effect.

And achieving different effects was always the thing with Steely Dan. They used harmony vocals in just about every way conceivable, and they cast the parts unerringly, always making the right call on whether it should be a female trio*** or multitracked Michael McDonalds, or covered by the guys in the band.

My Old School is from the second Dan album, Countdown to Ecstasy. Countdown doesn’t enjoy its creators’ favour all that much, but I’m very fond of it. Recorded during breaks from touring, and featuring songs that were written to be played live (and presumably tried out live on stage before they were cut in the studio), it’s the group’s most “rock” album. That it’s heavy on Jeff “Skunk” Baxter’s guitar playing just seals it; Skunk was always a rougher, noisier player than the clean, precise and more jazz-inflected Denny Dias.

Famously, My Old School is about a drug bust at Bard College in Annandale-on-Hudson, during which Becker, Fagen and Fagen’s girlfriend were arrested, along with some 50 other students. Dismayed that the school was complicit in this, Fagen nursed a grudge for years, even refusing to attend his graduation.

Accordingly, Fagen sings My Old School in a tone of sustained mock outrage, and the harmony voice, whoever it belongs to****, matches it note for note, getting truly querelous at times by going up on the last syllable of the line (“doing what she did be-fore“; “tumbles into the sea“). In the choruses, the backing trio come in and, as so often, the band milk all the humour they can from the incongruity of the soul revue-style vocal arrangement and the lyrical content – “Woah, no,” the singers interject. “Guadalajara won’t do now,” answers Fagen. It’s tremendous fun.

Steely-Dan
Donald Fagen and Walter Becker

*And after a few albums, most of the band were regular session players rather than official members anyway.
**David Palmer sings lead on Dirty Work and the amazing Brooklyn (Owes the Charmer Under Me). He was brought in on Skunk Baxter’s recommendation because Fagen wasn’t a confident vocalist, particularly on stage. But Fagen’s vocal persona was so crucial to the songs that he was eventually persuaded to handle the job full time and the band asked Palmer to step aside. He went on to write Jazzman with Carole King.
***Clydie King, Venetta Fields and Sherlie Matthews were Fagen and Becker’s go-to trio, when available. And why wouldn’t you get them on board if you could?
****And who is that harmony singer? I wish I knew for sure. Judging from his vocal contributions to Turn that Heartbeat Over Again it’s very possibly Walter Becker, but it could be the album’s credited male backing singer, Royce Jones. Or it could even be a second track of Fagen, but the vocal sounds less warm and round than 1974-vintage Fagen.