I wasn’t a huge fan of this when it came out. Janet Jackson has never been a particularly commanding vocalist, and with That’s the Way Love Goes being sung softly against a very prominent groove, the record didn’t seem to contain much Jackson at all. I was, what, eleven at the time, without a good stereo of my own to listen to it on, so I only heard the song on little radios and in my parents’ car; with the low end being inaudible in that context, a lot of the point of the record was lost with it. And truth to tell, the song was thematically a bit adult for the 11-year-old me to really relate to.
Now, I find myself really taken with the sexy, unhurried groove. Musically, the track still contains traces of new jack swing (of which Jackson’s producers Jam and Lewis were early pioneers, along with Teddy Riley) but crossed with the more naturalistic (often sample-based) sounds of the then-infant genre of hip hop soul. The triplet swing is still hinted at, but the drum sound is more natural, more expensive-sounding, less brash, than it would have been in the late 1980s. Early NJS had used the Roland TR-808 to program complex, layered grooves that would have been very difficult if not impossible for a single human drummer to recreate. That’s the Way Love Goes samples its drums instead, from James Brown’s Papa Don’t Take No Mess, then augments them to make them bigger (the time stretched, quantised, heavily compressed and as a result somewhat shaky Brown groove is clearly audible in the mix though). It sounds more grown-up than true NJS had done; muted earth tones rather than stark primary colours.
The drums aren’t the only signifier of adult sophistication, though. The jazzy guitar, playing lead licks in parallel fourths on what sounds like a big-bodied archtop guitar (an updated Breezin’-style George Benson kind of thing) and chord voicings with 6ths and major 7ths, does much to define the mood of the record.
But ultimately, it’s Jackson’s voice – very confident and intimate, soft and gentle without leaning too heavily on the breathy half-whisper that was already a cliché in slow jams and bedroom records – that really sells it. It deservedly won her a Grammy for Best R&B Song; she’s won six Grammys in total, but That’s the Way Love Goes is the only one to win for songwriting. All things considered, it’s probably her best single, despite strong competition from her Control hits.