Tag Archives: Let Go

Jules and Jim – Nada Surf

Eight albums into their career, Nada Surf are more quietly impressive than ever. Not quiet in a musical sense, as their music is often driven by saturated, beefy distorted guitars, but in a low-key, no-bullshit kind of way that’s best demonstrated by their live shows, in which they smash through one song after another with no extended jams and no self-indulgent between-song waffle.

The band formed in New York in 1992 as a collaboration between singer-guitarist Matthew Caws and bassist Daniel Lorca, who had gone to the same French-language school together (the families of both spent time in France and Belgium when they were kids). After a couple of false starts, they found drummer Ira Elliott and began recording low-budget EPs and playing shows. At one such show at the Knitting Factory, they ran into former Cars singer Ric Ocasek, who was by then an in-demand producer (his production discography includes the Bad Brains’ Rock for Light and Weezer’s Blue Album), and gave him one of their self-released cassettes. Ocasek later called the band to say he wanted to produce their first album, which no doubt helped to get them hooked up with Elektra.

Problem was, while their debut scored a hit, it did so in the form of Popular, a sub-Weezer novelty in which Caws recites advice from the 1964 guide for teenage girls on how to achieve popularity in an increasingly hysterical voice. Having not heard it at the time (it wasn’t really a thing in the UK), I’ve got to say, it’s as bad as it sounds. Worse, it pegged them for many as a derivative or even a novelty band; better not to have a mainstream hit at all than to have one that will follow you around like a bad smell for the next ten years. By the early noughties, the band members were back to working day jobs.

With admirable persistence, they set about rebuilding. After getting themselves a deal with solid indie Barsuk (John Vanderslice, Death Cab, Rilo Kiley), they released three super-solid power-pop albums in a row: Let Go, The Weight is a Gift and Lucky. Power pop is not a cool style of music, especially at the moment, but it’s one I’ve always had a huge soft spot for, and Nada Surf are great at it. Matthew Caws has a sweet and supple voice, his songs always have strong melodies and big choruses, and the rhythm section supply the “power” side of things admirably. As does the fact that Caws knows how to get a sweet guitar sound with his Les Paul Custom.

Jules and Jim is from 2012’s The Stars are Indifferent to Astronomy, which took the band’s winning streak to four. The song is an Alex Chilton-ish minor classic, with one of their most glorious choruses. Although, really, it’s just one hook after another. The band are now a four-piece (when playing live, at least) with the addition of guitarist Doug Gillard, also of Guided by Voices, and when I saw at the Electric Ballroom a few years ago and Gillard and Caws struck up the song’s chiming harmonised intro, it was total Big Star-in-1972 jangle heaven.

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Nada Surf live @ the Electric Ballroom, 11/04/16

Let’s start with the stop-press. I went to a gig last night and thought the sound was good.

Yes, that’s right. I have no complaints about the sound whatsoever. It was loud and full and rich and present, but controlled and not at all harsh, despite the volume. My ears were ringing only slightly immediately after the show last night, and not at all by this morning.

(Contrast that with the 48-hour tinnitus symphony I suffered through after last week’s Posies show at the 100 Club.)

Happily the show was every bit as good as the sound mix. Nada Surf’s thing – tightly written songs, vocal harmonies, guitars at that sweet spot halfway between jangly and crunchy – is not the most complicated thing in the world, but nonetheless they make it look so incredibly easy. All four members are very capable musicians. All of them pitch in with harmonies. Whatever tempo they’re played at, songs are dispatched without fuss, one after the other: bang, bang, bang. 18 songs in the set, four more in the encore, and a couple of acoustic singalongs by the merch table afterwards. Not much more than 90 minutes from first note to last. Guitarist Doug Gillard, formerly of Guided By Voices, added unshowy lead guitar and when he and Matthew Caws struck up the chiming harmonised intro of Jules & Jim, it was total Big Star-in-1972 jangle-pop heaven.

The set contained a good mix of material. New album You Know Who You Are is a bit of a grower, and a more than decent addition to their canon, but they didn’t go too hard after the new material, instead blending it in with established favourites. They opened with Cold to See Clear, but otherwise limited the new songs to the lovely Believe You’re Mine, Friend Hospital (repository of a couple of Caws’s dafter lyrics), Animal and Out of the Dark. Those aside, the songs were drawn more or less equally from Lucky, Let Go and The Weight is a Gift.

Personal highlights for me were Weightless (also a favourite of Mel’s), which saw the band switching impressively between its 12/8 main section and slow 4/4 passages, the aforementioned Believe You’re Mine and Jules & Jim, See These Bones (also a highlight of the Islington show – as Sara remarked to me, though, Caws is now telling the story of his visit to the Capucin monks’ ossuary in Rome as if he’s getting a bit tired of it), What Is Your Secret, Do It Again (cool bass riff, and massive cymbal-smashing awesomeness in the choruses) and Concrete Bed, essayed in the band’s trademark no-fuss style.

Nada Surf are a band I could see play many more times without getting bored. They’re so damn good at what they do, and I like what they do very much.

https://i2.wp.com/theupcoming.flmedialtd.netdna-cdn.com/wp-content/uploads/2016/04/Nada-Surf-at-Electric-Ballroom-Filippo-LAstorina-The-Upcoming-4-1024x683.jpgMatthew Caws and Ira Elliot, onstage in London, 11/04/16 (photo: Filippo L’Astorina)