Tag Archives: new single

You Won’t Need to Cry – new single out today

Well, I have to apologise for having made no progress on the last More Live Gonzos piece I was planning. Coronavirus has made this a very strange, quite stressful couple of weeks (at work, not for health reasons), and I’ve had no spare mental energy at all. I do plan to get back to it, but it may be a couple more weeks.

A few months ago, before any of us had heard of Covid-19, I recorded a couple of songs I’d written that leaned more towards indie/power pop than the kind of thing I normally do. I liked both songs and, more importantly, liked the recordings I’d made of them. They didn’t seem to fit on the EP I’m making with Mel or the album I’ve been working on forever, so I thought I’d release them as the A and B sides of a single.

The A side is called You Won’t Need to Cry. I wrote it very quickly just before new year. Mel gave me a new effects pedal for Christmas (a Leslie speaker-style modulation pedal by TC Electronic) and the song’s main riff/chord progression was pretty much the first thing I played when I sat down with it for first time. As sometimes happens when you’re playing around with ideas, it didn’t sound like a few strung-together chords – it sounded like an actual song’s intro, so I got to work.

The washy modulation effect on the guitar sounded a bit early 1980s to me, so I was thinking in those terms aesthetically, and went for a different kind of treatment than usual: a drum loop (taken from my actual live playing on Make it Last and slowed down a little), palm-muted bass and guitars, and double tracked vocals and harmonies. Mel added some extra oohs with me in the middle eight, and supplied the cover image (taken from the top of St Paul’s one night last summer).

The other song, Hard to Begin, is slightly older, written in late August last year and recorded in, I think, October or November. This one has a live drum track, quite loose and Ringo-y. I like the extended chord sequence in the verses and the general McCartney-ness of some of the changes. I guess if it sounds like anything, it’s a bit Figure 8-era Elliott Smith.

The songs are available on my Bandcamp for streaming and download (player embedded below), and you can also find them on Spotify, Google Play, Apple Music and so on.

I hope you have a chance to listen, and if you like them, please do share them.

Stay safe, everyone.

 

 

 

 

New single out on 14 March

Hi everyone. My apologies for keeping you waiting for the next More Live Gonzos post. The last one was a pretty serious investment of time, and in the week since I’ve been busy and a bit stressed, and just not able to make time for the listening, thinking and drafting I’d need to put in to do the next one properly. So I figured I’d post about some other things in the meantime, while I try to get into gear on the next live album.

One of the things I’ve been working on is a digital-only single. My main focus over the winter has been to finish and release an EP that my partner Melanie and I are working on. The EP will be six songs, three songs each, and is basically all acoustic folky stuff: only one song features a full band arrangement. But both of us have interests across the musical spectrum, and we both had a couple of strong songs that didn’t fit the style of the EP. Rather than let them sit there for months, or years, we figured better to just put them out.

My 2-song single You Won’t Need to Cry b/w Hard to Begin will come out on Saturday 14 March. The songs are both, broadly speaking, indie-pop. You Won’t Need to Cry is a slightly mechanised 1980s kind of thing, with harmonies and doubled vocals and a lot of layered guitars. Hard to Begin is more of a McCartney/Elliott Smith type of song, with an extended chord sequence in the verse, a proper middle eight, some very Ringo-ish drums and all that kind of stuff.

It’ll be available through Bandcamp, Spotify, iTunes (at least, I think so. iTunes will soon be defunct so not toally sure), Apple Music, Google Play, Soundcloud and a whole bunch of other platforms. But I thought I’d offer free-of-charge advance copies to readers of the blog, as a thank you for coming here and reading my blatherings. It means a lot that you do. If you’d like a free download code, email me through the blog or send me a DM on Twitter.

The Mel-and-Ross EP will be available shortly thereafter (I reckon April), and Mel’s single will come out not long after that.

You Won't Need to Cry sleeve w text 5 square
Home-made cover art. Excellent picture taken from the top of St Paul’s by Melanie. Less-than-excellent text by me.

Home at Last – Yo Zushi

My friend and long-time musical compadre (seriously, we’ve got something like 18 years behind us now) Yo Zushi has released a new single, Home at Last, with a new album (King of the Road) to follow shortly.

Home at Last was recorded around two years ago, I think, at One Cat in Camberwell, with Jon Clayton engineering. It was the last song we cut during that day at the studio, but at this point I can’t remember what else we did during that session. I can remember that I played drums on the live take, and that Dan McKean played piano. I then took the basic tracks home and did what I do, adding electric, acoustic and bass guitars, while Yo worked up a vocal arrangement.

It’s a great song (one of the best Yo’s ever written, I think, and he’s written some doozies) and I absolutely love the way the recording turned out. There’s a bandcamp link at the bottom of the post, and it’s also available on iTunes, Spotify, Apple Music, Google Music and all the other usuals. The cover features Yo and his friend Jazzman John Clarke, a performance poet well known in London, who sadly passed away last week. I only met Jazzman a few times, but he was a lovely man with music and rhythm inside him.

Yo will be playing at the Servant Jazz Quarters in Dalston on Sunday 16th September, and I’ll be supporting, in what is for me a rare solo show. Nowadays I mainly play as part of a duo with Melanie (something we’ve been doing increasingly often, and dare I say, are now getting pretty good at), so this will be something different, by virtue of being something old-school.