Hal Blaine, one of the most prominent members of the group of LA-based session musicians known as the Wrecking Crew, has died of natural causes aged 90.
Blaine’s career was truly remarkable. Like the majority of the Wrecking Crew players, Blaine’s background was in jazz. He got his professional start playing with Tommy Sands, but, adaptable and open-minded enough to move into rock ‘n’ roll, Blaine began playing studio dates, and was soon the go-to guy for Phil Spector. His enormous intro to Be My Baby I’m sure you’re familiar with. OK, sure – it is to drummers what the Smoke on the Water riff is to guitarists, but it got to be that for a reason. Great music is about tension and release. That dropped backbeat on the two and the huge reverberant snap on the four is tension and release. That’s why it worked.
The keen student of Spector’s Wall of Sound that he was, Brian Wilson naturally wanted to hire the same musicians and studios as his idol had used, so before long Blaine was playing for LA’s next boy genius. It’s arguably those Beach Boys songs, particularly the ones on Pet Sounds, where you hear the best of Hal Blaine: his taste, his creativity, his avoidance of orthodoxy.
But if you’re not a Beach Boys fan, you can still hear Hal doing brilliant, innovative things in hundreds of different musical settings. You can hear him on records by Frank Sinatra, Nancy Sinatra, Dean Martin, Herb Alpert, Sam Cooke, the Byrds, the Monkees, Simon & Garfunkel, the 5th Dimension, the Carpenters, Glen Campbell, the Mamas & the Papas, John Denver, Sonny & Cher, the Association, Neil Diamond, Johnny Rivers, Paul Revere & the Raiders and Barbra Streisand. And that list is far, far from exhaustive. It’s tip-of-the-iceberg stuff, just what came to mind.
In interviews, Blaine always came across as a very likeable and humble guy. He spoke highly of the artists he worked with, always making a point of saying how much he learned from them playing with them all.
Farewell, Hal, and thanks.